Pan-Around-Neck Article References
Pan Round Neck continued - 1 2 3 Reference

We Stand By Our Tradition

Reference:

Achong, A (1999) The Theory of the Steel pan and Pan Making Technology, Department of Physics, University of the West Indies, St Augustine, Trinidad.

Aho, W (1987) Steel Band Music in Trinidad and Tobago; The Creation of a People's Music; Latin American Music Review; vol. 8, no. 1, pp 26-58

Barnes; N (2000) Body talk; Notes on Women and Spectacle in Contemporary Trinidad Carnival; Small Axe; 7th March 2000; pp. 93-105

Burton, J, Nanda, A and Platt, L (2008) Who are the UK's minority ethnic groups? Issues of Identification and measurement in a longitudinal study; Institute for Social and Economic Research; University of Essex.

Cantle, T (2005) Community Cohesion, Basingstoke, and New York; Palgrave, Macmillian

Cohen, A (1980) Drama and Politics of a London Carnival; Man, New Series; vol. 15; no. 1; pp. 65-87

Cohen, A (1993) Masquerade Politics: Explorations of the Structure of Urban Cultural Movements; Berkeley, The University of California Press

Crowley, D (1999) Carnivals, Carnival and Civilization; or How to make a living without actually working; Western Folklore, 58, Summer/ Fall; pp. 213-222

Dudley, S (2002) Dropping the Bomb: Steelband Performance and Meaning in 1960s Trinidad; Ethnomusicology; vol. 46; no.1, (Winter 2002); pp. 135-164

Dudley, S (2001) Ray Holman and the Changing Role of the Steel Band, 1957-1972; Latin American Music Review; vol. 22; no.2; pp.183-198

Ferris, L (2005) On the Streets of Notting Hill; Carnival as/ is Theatre; Theatre History Studies; 25, June 2005; pp. 61-76

Gilson, S & Depoy, E (2000) Multiculturalism and Disability; a Critical Perspective; Disability and Society; vol. 15; Issue 2; pp. 207-218

Grant, C (1999) Ring of Steel: Pan Sound and Symbol; London and Basingstoke; Macmillan Education

Hegel, G.W.F (1927) Lectures on the Philosophy of World History, in Terry, P (1995) Accommodating the history of music within the National Curriculum; British Journal of Music Education; Vol. 12, 1995; pp. 29-43.

Ho, C.G.T. (2000) Popular Culture and the Aestheticization of Politics; Hegemonic Struggles and Post Colonialism Nationalism in the Trinidad Carnival; Transforming Anthropology; vol. 9, no.1, pp. 3-18

La Rose, M and McCalman, L (2003) The Gerald Forsyth Story. The Lifetime Journey of a Pan Legend in the Steelband Movement. London, Caribbean Arts and Musical Expression Publications.

McCarthy, T (1984) The Critical Theory of Jurgen Habermas, Cambridge, Polity Press.

Nehusi, K (2000) The Origins of Carnival: Notes From a Preliminary Investigation”, in Ian Isidore Smart and Kimani Nehusi (eds.) Ah Come Back Home: Perspectives On The Trinidad and Tobago Carnival Original World Press: Washington, D.C. and Port of Spain, 2000.

Nindi, P (2005) The Arts Strategy, 2005; Presentation given to the Carnival Committee; The Arts Council, England

Noel, T (1989) A Tale from Trinidad; The Rise of the Pan; Music Teacher, Vol. 68, No. 7, pp. 25.

Nixon, R (1991) V.S. Naipaul, Post Colonial Mandarin, Transition Under Review; Transition; No. 52; pp. 100-113, Indiana University Press, on behalf of the W.E.B. Du Bois Institution.

Philips, T (2005) After 7/7; Sleepwalking into Segregation; London; The Commission for Racial Equality

Rennie, B (1999) Lies and Distortion of Pan, Out of Hell Yard, www.trinisoca.com/steelpan/pan99.html

Russell; D (1993) The 'Social History' of Popular Music: A label with a cause: Popular Music (1993) vol. 12/2, pp. 139-154

Stuempfle, S (1995) The Steelband Movement; Te Forging of a National Art in Trinidad and Tobago; Jamaica, University of the West Indies Press

Terry, P (1995) Accommodating the history of music within the National Curriculum; British Journal of Music Education; Vol. 12, 1995; pp. 29-43.

Thomas, p (2007) 'Anti-Racism'?, Understandings of 'community cohesion' held by Youth Workers; Journal of Social Policy, vol. 36; Issue 3; pp.435-455

Tompsett, A.R. (2005) London is the Place for Me; Performance and Identity in the Notting Hill Carnival; Theatre History Studies; 25; June; 2005, pp.43-60

Worley, C (2005) 'It's not about race. It's about the community'. New Labour and Community Cohesion; Journal of Critical Social Policy; vol. 25, (4), pp.483-496

Lionel McCalman is the leader of Nostalgia Steel Band, one of the few pan-around-neck steel bands still in existence in the United Kingdom.

Pan Round Neck continued - 1 2 3 Reference